Global

If you are a fan of plays featuring and exploring bravura acting, Hollywood history, LGBTQIA issues, creative stagecraft, feminism, anti-Semitism, one-person shows, illustrator Aubrey Beardsley and more, strap on those running shoes and dash, do not walk, to experience Garden of Alla: The Alla Nazimova Story, which is currently having a limited engagement at Theatre West. Romy Nordlinger depicts the eponymous legendary stage and screen thespian Alla Nazimova in this one-woman piece de resistance which the New York actress also wrote. In doing so, a theater and movie myth (and nymph) lives again in an 80-or-so minute show that imaginatively uses rear screen projections to tell the tale of Alla and her legendary mansion  precariously perched in Tinseltown, once upon a time.

Desecrating, then burning the Holy Quran in Sweden has, once again, raised a political storm of condemnation, but also of justification, if not outright approval.   

 Such acts are protected by law, top Swedish and EU officials have declared.  

 But why are the rights of those who oppose western agendas, colonialism, imperialism, Zionism and military interventions not equally protected by law? 

 The Palestine boycott movement, BDS, for example, is constantly fighting in western societies and institutions for the right to use certain language or merely challenge, though non-violently, Israeli occupation and apartheid. 

 “The Fukushima Disaster, The Hidden Side of the Story,” is a just-released film documentary, a powerful, moving, information-full film that is superbly made. Directed and edited by Philippe Carillo, it is among the strongest ever made on the deadly dangers of nuclear technology.
It begins with the words in 1961 of U.S. President John F. Kennedy: “Every man, woman and child lives under a nuclear sword of Damocles, hanging by the slenderest of threads, capable of being cut at any moment by an accident, or miscalculation or by madness.”
It then goes to the March 2011 disaster at the Fukushima Daichi nuclear power plants in Japan after they were struck by a tsunami. Their back-up diesel generators were kicked in but  “did not run for long,” notes the documentary. That led to three of the six plants exploding—and there’s video of this—“releasing an unpreceded amount of nuclear radiation into the air.”